Linda Kaye-Moses graduated from The University of Vermont ‘63 with unofficial majors in psychology, theatre, and ancient history, and she has been a studio jeweler making her work for over four decades, and she continues to make her jewels into this, the eighth decade of her life.

Kaye-Moses has exhibited her jewels at galleries and at major juried shows, including The Smithsonian Craft Show. She curated the exhibitions at The Bignell Gallery, CT: Millennial Metal; The Art of Precious Metal Clay; and Re-Collected/Re-Invented; the Narrative Craft Object.

Her jewels have been published as follows: 1991, Jewelry/Metalwork Survey No. 1; 1992 Who’s Who in American Crafts;1992,Jewelry/Metalwork Survey No. 2; 1993,Jewelry/Metalwork Survey No. 3;1996, In the Picture; Framing the Visual Arts, Oxford University Press, Australia; 2003, Art Jewelry Today, Schiffer Publishing; 2003, Creative Metal Clay Jewelry, Lark Books; 2003, Discovery; Fifty Years of Craft Experience at Haystack Mountain School of Crafts, jewelry & essay; Univ of MN Press; 2005, Fabulous Jewelry from Found Objects, Lark Books; 2006, Making Metal Beads, Lark Publishing; 2007, PMC Decade, Brynmorgen Press and PMC Annual and New Directions in Metal Clay; 2008 Art JewelryToday II, and PMC Annual; 2009 Amulets and Talismans, (Author: Robert Dancik), Northlight Publishers and Metal Clay Beads: Techniques, Projects, Inspiration, (Author: Barbara Becker Simon), Lark Books; 2008, 2010, 2011, 2012, PMC Annual; 2012, Contemporary Metal Clay Rings, Brynmorgen Press; 2011, Art Jewelry Today III; 2016, Art Jewelry Today IV,; 2017, Narrative Jewelry; Tales From the Toolbox; Schiffer Publishing; 2019, The Art of Fine Enameling, Stackpole Books.

She was a final juror for the international jewelry competition, The Saul Bell Design Awards (2010). From 1994-2002 Kaye-Moses was the Metal Studio Department Head at Interlaken School of Art (now Berkshire Art Center, Stockbridge, MA), has taught classes nationally and internationally.

She has received two Massachusetts Arts Lottery Council Grants, three Massachusetts Cultural Council Professional Development Grants; a Niche Award; and was twice a Saul Bell Design Award Finalist.